Stone and Concrete Oil

STONE & CONCRETE IMPREGNATION · ART. 254

Stone and concrete oil that protects without changing the colour.

LEINOS 254 — penetrating impregnation oil for terracotta, absorbent tiles, and chemically neutral concrete. Water-repellent, abrasion-resistant, vapour-permeable. No film. No darkening.

No darkeningVapour-permeableVOC 420 g/lMade in Germany
Download TDS

Mechanism & Use

How 254 stone and concrete oil works.

Penetrating impregnation that protects from inside the pore — water beads off, the surface stays open, the colour stays yours.

01

Oil penetrates into the mineral pore

Wood oil, linseed, castor, and sunflower oils travel into the absorbent pore structure of terracotta, concrete, and unglazed tile by capillary action. The stone itself becomes the carrier of the protection — not a film on top of it.

02

Resin ester locks it water-repellent

Natural rosin-ester resins cross-link the oils inside the mineral matrix. Water beads off the surface and rolls away rather than soaking into the grain. Spills wipe clean before they stain.

03

Surface stays vapour-permeable

Open-pore finish lets moisture vapour pass through the floor or wall — no plastic seal trapping monsoon humidity under concrete or terracotta. The screed breathes with the season, expanding and contracting freely.

04

Doesn’t significantly darken

Unlike acrylic and silicone sealers that wet the surface and deepen the colour permanently, 254 leaves the natural terracotta red or concrete grey visibly intact. The architect’s specified colour is what you see in five years.

Where It Lives

Where 254 Lives

Terracotta floors (haveli, courtyard, heritage)

Indian terracotta tiles, athangudi tiles, Mediterranean terracotta. Preserves the natural red colour while making spills wipeable. Re-apply every 2–3 monsoon seasons.

Polished and unsealed concrete floors

Modern residential lofts, design-led commercial interiors. Maintains the natural grey concrete look without acrylic “plastic” finish.

Cement grout joints (tile-floor systems)

Protect the grout as you protect the tile — the failure point in tile floors becomes the protected element. Apply post-grouting before regular use.

Unglazed stone and stoneware

Kota stone, granite cobble, terrazzo, unglazed ceramic basins and planters. Penetrates into the pore; does not film over the surface.

Heritage building restoration

Preservation-compliant treatment for protected structures where film-forming sealers are prohibited. Reversible — does not chemically bond with the substrate beyond the oil-resin cure.

Modern industrial and loft concrete floors

Bangalore + Mumbai design-led residential lofts, boutique studios, and commercial showrooms with polished or unsealed concrete. Preserves the natural grey concrete tone — no acrylic “wet-look” film.

Compliance · Natural Ingredients · EU

Documented natural-ingredient declaration. No film-forming surface chemistry.

Three anchors that let architects specify 254 for heritage and modern mineral floors without disclaimers.

VOC 420 g/l — EU Directive 2004/42/EC

EU Compliance

VOC 420 g/l

EU limit 700 g/l · Cat. f minimal-build impregnation · Directive 2004/42/EC.

InVeNa — Initiative Verband nachhaltige Baustoffe

Institutional Pledge

InVeNa Member

Reincke Naturfarben — full-ingredient-disclosure pledge for natural building products.

Made in Germany — Reincke Naturfarben, Horneburg

Origin

Made in Germany

Manufactured by Reincke Naturfarben, Lower Saxony, est. 1985.

The TDS is downloadable below. Where you need a written specification packet — ingredient declaration, VOC compliance letter for an architect’s submittal, or preservation-treatment compatibility statement for a heritage project — it is available to architects and contractors on request. Use Get Expert Advice above.

Read The Full TDS

Step by Step

How to Apply

  1. Prepare the substrate — surface must be dry, clean, oil-free, and dust-free. Sweep, damp-mop, and let the floor dry completely (24–48 hours after washing). Remove cement laitance from new concrete with light mechanical abrasion. Remove salt efflorescence from older concrete with stiff brush — do not use acids. Old film coatings (acrylic, silicone sealers) must be stripped completely — 254 will not penetrate through a film finish.

    Indian craftsman hand-brushing dust and salt efflorescence off a terracotta-tiled haveli courtyard floor
  2. Stir thoroughly — stir the tin until any settled solids are fully dispersed. Do not thin under normal conditions. Apply at ambient and surface temperatures above 10 °C; ensure cross-ventilation during the drying window. A floor fan during cure helps avoid odour build-up and supports even oxidation drying.

    Indian craftsman hand stirring amber stone and concrete oil in an open tin with a wooden stir stick
  3. First coat — apply thinly and evenly with brush, lint-free cloth, roller, or sponge. On large floor areas a sponge or roller is the fastest tool; on tile grout joints and edges, brush gets into the recess. Allow 20–30 minutes penetration. Avoid puddles — the mineral pore absorbs what it absorbs; surplus oil will not penetrate.

    Indian craftsman applying first coat of amber stone and concrete oil to terracotta tile with a natural sponge
  4. Wipe excess after 20–30 minutes — the critical step. Wipe any unabsorbed oil off the surface with a clean lint-free cloth or pad. No oil film must remain — surplus oil will not dry properly and leaves a sticky surface. The wiped-off oil can be redistributed onto adjacent still-absorbent patches.

    Indian craftsman wiping excess oil off a terracotta tile with a clean white lint-free cotton cloth
  5. Second coat — next day, same technique. Apply thinly and evenly with sponge, brush, or roller. Same wipe-off discipline: 20–30 minutes penetration, then remove excess. On highly absorbent substrates (old terracotta, very porous concrete) apply an optional third thin coat after the second cures.

    Indian craftsman applying second thin coat of stone and concrete oil to terracotta floor next day
  6. Maintenance — cure 7–10 days at 18–22 °C. Light foot traffic after 24 hours; heavy traffic after full cure. Maintenance recoat: when the surface stops beading water or starts to look dry, clean and re-apply 254 directly. No sanding, no stripping — re-oil into the existing oil-impregnated pore.

    Pristine water droplets beading on a cured oiled terracotta floor surface, demonstrating water-repellent finish

Application Conditions

  • Ambient and surface temperature above 10 °C.
  • Substrate must be dry, clean, oil-free, dust-free.
  • Cross-ventilate during drying window — a floor fan supports even cure.
  • Do not apply over film-forming sealers (acrylic, silicone) — strip first.

Coats & Recoating

  • Two thin coats standard. Optional third coat for highly absorbent or old terracotta. Recoatable after 4–6 hours; next-day second coat preferred for best penetration. No sanding between coats.

Cleaning & Storage

  • Clean tools immediately after use with LEINOS Verdünnung 200 (thinner) or white spirit.
  • Store unopened tin cool, dry, frost-free. Shelf life at least 2 years in sealed packaging.

First time with Stone and Concrete Oil? Our technical team runs complimentary on-site walkthroughs for contractors — full application protocol, start to finish.

System & Substrates

Penetrating impregnation — no primer, no topcoat, mechanical prep only.

Two thin coats of 254 directly on prepared mineral surface. There is no primer in the LEINOS mineral-impregnation system. No film topcoat: the protection lives inside the mineral pore. Reversible — critical for heritage and preservation-controlled installations.

The Coating System

Primer plus topcoat — the full chain.

First Coat254Stone and Concrete Oil
Second Coat254Stone and Concrete Oil

Substrate Fit

254 works on — and what it doesn’t.

Suitable

Recommended substrates

  • Absorbent terracotta tiles (Indian, athangudi, Mediterranean)
  • Unglazed clay tiles, brick pavers
  • Chemically neutral concrete (28+ days cured)
  • Polished and unsealed concrete floors
  • Cement grout joints (post-grouting)
  • Unglazed stoneware (sinks, basins, planters, non-food)
  • Kota stone, granite cobble, terrazzo (unsealed)

Honest Limits

Where to use a different product

  • Glazed ceramic and porcelain tiles — non-absorbent; oil cannot penetrate and will sit as a residue.
  • Sealed concrete with intact acrylic or silicone film — strip the film coating first.
  • Polished marble and acid-etched limestone — chemically reactive substrates not suited to oil-resin chemistry.
  • Permanently wet or submerged surfaces — pools, sunken courtyards. Oil-resin cure requires air exposure.
  • Food-contact surfaces (kitchen worktops, sinks for food prep) — use LEINOS 280 Countertop Oil

Use With Care

Working safely with 254

  • Store away from children.
  • Risk of spontaneous combustion of oil-soaked materials. Store used cloths in a sealed metal container filled with water or dispose of safely.
  • Ensure adequate ventilation during drying window. Solvent vapours are heavier than air.
  • Wear respiratory protection when spraying.
  • Do not allow to enter surface water or drains.
Full safety data sheet, in PDF.Open SDS

Coverage & Pack Sizes

Two pack sizes. Generous coverage on mineral pore.

Coverage on the card assumes one coat. Two coats standard — double the surface estimate accordingly. Highly absorbent old terracotta sits at the upper consumption end; dense polished concrete at the lower end.

Most Specified

0.75L

Covers

80–205 sq ft

2 coats, absorbent mineral

Best For

Small courtyard, kitchen floor, sample area — the standard India retail size.

2.5L

Covers

270–675 sq ft

2 coats, absorbent mineral

Best For

Full haveli courtyard, residential floor, commercial lobby.

sq ft

Enter your floor area to see how many litres — and the most efficient pack mix — you’ll need for 2 coats.

Full Declaration

Composition

Every ingredient declared on the label. The Trust Hub explains what each one does and the standards behind it.

  • Wood Oil (Tung)

    Tung-tree seed oil, plant-derived. Water-resistance partner alongside linseed for faster initial cure and stronger spill-resistance on mineral substrates.

  • Linseed Oil

    Cold-pressed flax-seed oil — the LEINOS signature drying oil. Polymerises with oxygen inside the mineral pore. Plant-based, traditional natural-paint pedigree.

  • Castor Oil

    Plant-derived elasticity additive. Stays slightly flexible inside the cured matrix — matters on substrates that move with thermal cycling and moisture migration.

  • Sunflower Oil

    Plant-derived carrier extension for very fine pore networks. Improves flow into dense terracotta and polished concrete where heavier oils alone do not penetrate efficiently.

  • Natural Resin (Rosin Ester)

    Pine-derived natural resin ester. Cross-links the cured oils into the mineral pore matrix — the “resin” in the brand’s oil-resin chemistry. No surface film.

  • Isoaliphatic Carrier (Isoparaffins)

    Plant-derived hydrocarbon thinner. Evaporates during cure, leaving the oil-resin matrix bonded in the mineral pore. Carries the VOC declaration (420 g/l, Cat. f).

  • Driers

    Manganese, zirconium, and zinc neodecanoate driers (cobalt-free) accelerate the oxidative polymerisation of the oil-resin matrix. Disclosed per InVeNa full-disclosure pledge.

Got Questions?

Frequently Asked

Quick answers on formulation, application and Indian-climate suitability. Pulled from our full FAQ and TDS library.

It depends on the condition. Sound, non-chalking, well-bonded dispersion coatings can usually be primed with LEINOS Mineral Plaster Primer 622 first — the primer creates a uniform mineral base for the topcoat. Flaking, chalking, or oil-based finishes must be fully removed back to a sound mineral substrate.

For Architects & Specifiers

Downloads

Technical and safety documents — citable in project specifications.

Technical Data Sheet

TDS · Specifications

Download

Safety Data Sheet

SDS · Handling info

Download

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Written by the LEINOS India technical team, in collaboration with Reincke Naturfarben R&D, Lower Saxony.

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