Mineral Plaster Primer

MINERAL PLASTER PRIMER · ART. 622

The silicate primer that evens absorbent mineral walls.

LEINOS 622 — water-based potassium-silicate primer for interior lime, cement, clay, brick, aerated-concrete, and gypsum-board walls. Controls absorbency. Stays vapour-permeable. The prep coat under LEINOS lime, silicate, and natural mineral paints.

Evens absorbencyVapour-permeableVOC <1 g/lMade in Germany
Download TDS

Mechanism & Use

How 622 mineral plaster primer works.

Potassium silicate binder fuses with mineral substrates — evens absorbency without sealing the wall. The topcoat lays down uniformly. The wall keeps breathing.

01

Silicate binder fuses with the wall

Potassium silicate (water-glass) reacts chemically with the silicates already in the lime plaster, cement, clay, or brick — a process called silicification. This is not adhesion; it is chemical bonding. The primer becomes part of the wall’s own mineral matrix, not a layer on top of it.

02

Controls absorbency for even topcoat

Variable suction across a freshly plastered wall is the contractor pain that produces patchy, blotchy lime and silicate paint finishes. 622 normalises absorption — the topcoat lays down at consistent thickness across the surface, colour reads uniformly, second-coat correction work disappears.

03

Vapour-permeable + alkali-resistant

Open-pore finish keeps the wall breathing — moisture vapour passes through freely, which matters under monsoon humidity behind plaster. Alkali-resistant chemistry survives the high-pH kick of fresh lime topcoats (lime paint pH 12+), so the primer does not chalk, blister, or strip when the topcoat goes on wet.

04

Rough mechanical key under topcoat

Once dry, the primer leaves a fine micro-textured surface — a mechanical key the topcoat grips into as well as the chemical bond. Lime paint, silicate paint, natural resin emulsion, and clay paint all gain durable adhesion on the primed surface.

Where It Lives

Where 622 Lives

Lime-plastered heritage haveli walls

Rajasthani havelis, Delhi heritage interiors, Lucknow nawabi residences. Primer locks the original lime plaster, evens century-old patchwork repairs, accepts traditional lime-wash or modern lime-paint topcoats without sealing the heritage breathability.

Modern cement-plastered residential walls

Bangalore + Mumbai + Pune apartments and villas. Standard cement plaster (rough or smooth-finished) absorbs paint unevenly; 622 normalises for flawless lime emulsion or natural-resin paint finishes.

Traditional clay-rendered walls

Village restoration, eco-architecture projects, contemporary mud-rendered partitions. Clay substrates are highly absorbent and variable; 622 primes without sealing the natural moisture exchange of clay walls.

Gypsum board and fermacell partitions

Modern apartment dry-wall installations. Highly and variably absorbent across the surface (joint compound vs face paper); 622 evens absorption for clean colour reads on flat matt emulsion paints.

Aerated concrete and brick — over-painted or fresh

AAC block walls (tier-2 city construction), exposed brick interiors being plastered + painted, old strong-binding dispersion coatings being prepped for mineral overpaint per India TDS specification.

Wellness studios, yoga shalas, ayurveda spas

Health-conscious interiors where vapour-permeable, solvent-free mineral coatings are part of the air-quality story. 622 keeps the wall breathing under the lime or silicate topcoat — no plastic film between the occupant and the substrate.

Compliance · Natural Ingredients · EU

Documented water-based silicate chemistry. No film-forming polymers.

Three anchors that let architects specify 622 for heritage haveli and modern mineral wall systems without disclaimers.

VOC <1 g/l — EU Directive 2004/42/EC

EU Compliance

VOC <1 g/l

EU limit 30 g/l · Cat. a interior matt walls (water-borne) · Directive 2004/42/EC.

InVeNa — Initiative Verband nachhaltige Baustoffe

Institutional Pledge

InVeNa Member

Reincke Naturfarben — full-ingredient-disclosure pledge for natural building products.

Made in Germany — Reincke Naturfarben, Horneburg

Origin

Made in Germany

Manufactured by Reincke Naturfarben, Lower Saxony, est. 1985.

The TDS is downloadable below. Where you need a written specification packet — full ingredient declaration, VOC compliance letter for an architect’s submittal, lime-paint or silicate-paint compatibility statement for a heritage project — it is available to architects and contractors on request. Use Get Expert Advice above.

Read The Full TDS

Step by Step

How to Apply

  1. Substrate preparation — wall must be dry, clean, firm, and free from dust, grease, and loose material. Sweep, vacuum, and damp-wipe the surface. Cracks and large defects must be filled with mineral filler (LEINOS 684 interior smoothing filler) and allowed to dry per the filler’s TDS. Old loose paint or chalking dispersion coatings must be scrubbed back or stripped — 622 will bond to old strong-binding dispersion coatings, but not to flaking or powdering layers.

    Indian craftsman damp-wiping a freshly plastered interior heritage haveli wall with a clean folded white cotton cloth
  2. Stir thoroughly — stir the pail until any settled mineral solids are fully dispersed. Do not thin under normal conditions. On extremely absorbent substrates (very porous lime plaster, fresh clay rendering) the first pass may be thinned 5–10% with water for deeper penetration; subsequent passes go on at full strength. Apply at ambient and surface temperatures above 5 °C; protect from frost during application and the full drying window.

    Wooden stirring stick mixing whitish silicate mineral primer inside an open LEINOS plastic pail
  3. First coat — apply evenly with masonry brush, lambswool roller, or airless spray equipment. On heritage haveli walls and old lime plaster, brush is the canonical tool — it works the primer into the surface texture. On flat modern walls (gypsum board, smooth cement plaster), roller is fastest. For large commercial surfaces, airless spray covers ground quickly with even film build. Avoid puddles on lower-absorbency areas — surplus primer will not penetrate and leaves a sticky surface.

    Indian craftsman applying whitish silicate primer onto a raw lime-plastered interior wall with a wide flat masonry brush
  4. Wipe back any pooled primer — where the substrate has low absorbency (over-trowelled patches, smoothed corners, dense aerated-concrete blocks), the primer will pool on the surface rather than penetrate. After 15–20 minutes, brush or roll the pooled area back into the rest of the wall — distribute the surplus onto adjacent still-absorbent zones. No primer film must remain pooled on the surface after this step.

    Masonry brush working pooled primer back across a low-absorbency wall patch, redistributing surplus into absorbent zones
  5. Touch dry 6–12 hours · recoatable 12 hours — touch dry after approximately 6–12 hours depending on temperature, humidity, ventilation, and substrate absorbency. Recoatable after approximately 12 hours. For most interior walls one coat is sufficient — the silicate has fused with the substrate and the surface reads uniformly absorbent. On highly variable substrates (heritage walls with multiple plaster patches, old painted walls with mixed history) a second thin coat after the first dries delivers the final uniform absorbency canvas.

    Fully primed interior lime-plaster wall in soft matt whitish silicate finish at six-hour mark, evenly absorbed and ready for topcoat
  6. Topcoat application — apply the chosen mineral topcoat per its own TDS once the primer is fully recoatable (12+ hours). Canonical topcoat partners: Lime Paint 665 (matt heritage lime finish), Natural Resin Emulsion Paint 660 (modern interior emulsion), Interior White Paint 650 (high-opacity matt emulsion). Each topcoat carries its own coat count and full-cure window — the primer is now a uniform, breathable, alkali-resistant substrate that lets the topcoat behave as intended.

    Indian craftsman applying matt lime paint with a brush over the primed wall, fresh topcoat going on uniformly with no patchiness

Application Conditions

  • Ambient and surface temperature above 5 °C.
  • Substrate must be dry, clean, firm, free from dust, grease, and loose material.
  • Protect from frost during application and the full drying window.
  • Do not apply over film-forming acrylic or silicone sealers — strip first.

Coats & Recoating

  • Usually one coat sufficient for standard interior mineral walls.
  • Optional thinning 5–10% with water on extremely absorbent substrates (fresh lime plaster, raw clay).
  • Second thin coat after the first dries for highly variable substrates (heritage walls, mixed-patch repairs).
  • Recoatable after approximately 12 hours; topcoat application at 12+ hours.

Cleaning & Storage

  • Clean tools immediately after use with water.
  • Shelf life: at least 12 months in original sealed pail. Protect from frost. Store cool, dry, and tightly closed.

First time with Mineral Plaster Primer? Our technical team runs complimentary on-site walkthroughs for contractors — full application protocol, start to finish.

System & Substrates

The prep coat under LEINOS lime, silicate, and natural mineral paints.

Mineral Plaster Primer 622 is the canonical prep coat under LEINOS interior mineral topcoats. The silicate binder fuses chemically with the substrate (not just adheres), evens absorbency for uniform topcoat application, and stays vapour-permeable so the wall keeps breathing.

The Coating System

Primer plus topcoat — the full chain.

Primer Coat622Mineral Plaster Primer

Topcoat Options

Choose the finish character; the primer underneath stays the same.

Substrate Fit

622 works on — and what it doesn’t.

Suitable

Recommended substrates

  • Lime plaster + lime rendering
  • Cement plaster (rough and smooth-finished, interior)
  • Clay rendering + traditional mud plaster
  • Lime sand brick (interior face)
  • Aerated concrete (AAC blocks)
  • Brick interiors prepared for plaster overcoat
  • Adobe + loam rendering
  • Fermacell + gypsum board partitions
  • Old strong-binding dispersion coatings (sound, non-chalking)

Honest Limits

Where to use a different product

  • Exterior surfaces — interior-only product. For exterior facade primers see ProfiSol / UniverSil family.
  • Glazed ceramic tile and non-absorbent surfaces — silicate binder cannot fuse with non-mineral substrates.
  • Existing film-forming acrylic or silicone coatings — strip first; 622 needs an absorbent mineral substrate.
  • Loose, flaking, chalking old paint layers — scrub back or strip; bonding requires a sound substrate.
  • Permanently wet or condensation-prone surfaces (bathrooms, exterior-grade kitchens) — consult.
  • Wood substrates — use the LEINOS wood primer system instead: LEINOS 150 Wood Primer

Use With Care

Working safely with 622

  • Avoid contact with eyes and skin.
  • Ensure adequate ventilation during application and drying. Wear respiratory protection when spraying (EUH211).
  • Avoid release to the environment — water hazard class 1.
  • Store away from children.
Full safety data sheet, in PDF.Open SDS

Coverage & Pack Sizes

Two pack sizes. Roughly 5 m² per litre on absorbent mineral walls.

Coverage on the card assumes one coat. One coat is usual; plan an extra 1.5× for highly variable heritage substrates. Highly absorbent fresh lime plaster sits at the lower end; dense aerated concrete + old strong-binding dispersion coatings at the upper end.

Most Specified

2.5L

Covers

80–190 sq ft

1 coat, absorbent mineral

Best For

Small room repaint, sample area, accent wall, heritage spot-prime.

10L

Covers

320–750 sq ft

1 coat, absorbent mineral

Best For

Full apartment interior, large heritage wall, commercial residential project.

sq ft

Enter your floor area to see how many litres — and the most efficient pack mix — you’ll need for 1 coat.

Full Declaration

Composition

Every ingredient declared on the label. The Trust Hub explains what each one does and the standards behind it.

  • Water

    The carrier. Evaporates during cure — what remains is the silicate network bonded to the substrate. Solvent-free, water-borne formulation.

  • Potassium Silicate (Water-Glass)

    The reactive binder. Reacts with substrate silicates (silicification) — chemically fuses with lime plaster, cement, clay, brick. CAS 1312-76-1, 1–3 % by mass. Disclosed per InVeNa full-disclosure pledge.

  • Titanium Dioxide

    Mineral white pigment for coverage and visual verification of primed area. CAS 13463-67-7, 5–10 % by mass. EU classifies powder/dust form as H351; the cured paint film is safe and not classified hazardous (SDS §2). EUH211 spray-droplet warning applies during airless application.

  • Mineral Fillers

    Calcium carbonate + silicate fillers for rheology, opacity, and the micro-textured mechanical key under topcoat application.

  • Natural Additives

    Cellulose thickener + mineral rheology modifiers + small wetting agent. Determines the application feel (brush flow, roller pickup, anti-drip).

Got Questions?

Frequently Asked

Quick answers on formulation, application and Indian-climate suitability. Pulled from our full FAQ and TDS library.

It depends on the condition. Sound, non-chalking, well-bonded dispersion coatings can usually be primed with LEINOS Mineral Plaster Primer 622 first — the primer creates a uniform mineral base for the topcoat. Flaking, chalking, or oil-based finishes must be fully removed back to a sound mineral substrate.

For Architects & Specifiers

Downloads

Technical and safety documents — citable in project specifications.

Technical Data Sheet

TDS · Specifications

Download

Safety Data Sheet

SDS · Handling info

Download

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Written by the LEINOS India technical team, in collaboration with Reincke Naturfarben R&D, Lower Saxony.

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